Summarize Group Discussion · #SGD1-047

Streaming Quotas for Local Content

The discussion

Zanele: I support the proposal requiring streaming services to make at least a fifth of their catalogue locally produced. Without it, young viewers here grow up seeing their own country only in the news, never in drama.

Oliver: Quotas produce quantity, not quality. Broadcasters under the old television rules filled their slots with cheap panel shows, and I'd expect streamers to do the same just to tick a box.

Minh: I'm partly with Oliver on the risk, but the alternative is doing nothing. Perhaps the rule should be about spending, say a percentage of local revenue invested in local production, rather than counting titles.

Zanele: A spending rule would be fine with me, because the point is that money earned here funds stories from here. Catalogue share was just one way to measure it.

Oliver: Spending is better than counting, I admit. But I'd still want the money going to independent producers rather than the platforms' own studios, otherwise it becomes an accounting exercise.

Minh: That's a reasonable safeguard. Add a requirement that a share goes to independents, and I think all three of us could sign off on it.

Oliver: If it's framed as investment with an independent-producer condition, then yes, I'll support it, though I still think the twenty-percent catalogue version was a mistake.

Model summary

The discussion was about requiring streaming platforms to include local content. Zanele backed a twenty-percent catalogue quota so young viewers see their own country in drama, not only in the news. Oliver opposed quotas, warning they encourage cheap box-ticking programmes, as happened under older television rules. Minh shared Oliver's concern but proposed an investment requirement, with platforms spending a share of local revenue on local production. Zanele accepted this, and Oliver came round once Minh added that part of the money must go to independent producers, though he still rejected the catalogue approach.
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